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.for that is the only School to theAnnReyn-xix; E638| Language of ArtTXTReyn-xxix; E638| [P xxix] It is the thoughts expressed in the works ofTXTReyn-xxix; E638| Michael Angelo, Correggio, Raffaelle, Parmegiano, and perhapsTXTReyn-xxix; E638| some of the old Gothick masters,.which we seek after withTXTReyn-xxix; E638| avidity.AnnReyn-xxix; E638| Here is an Acknowledgment of all that I could wish But ifAnnReyn-xxix; E638| it is True.Why are we to be told that Masters who Could Think hadAnnReyn-xxix; E638| not the judgment to Perform the Inferior Parts of Art as ReynoldsAnnReyn-xxix; E638| artfully calls them.But that we are to Learn to Think fromAnnReyn-xxix; E638| Great Masters & to Learn to Perform from Underlings? Learn toAnnReyn-xxix; E638| Design from Rafael & to Execute from Rubens [line cut away]?TXTReyn-xxxi; E638| [P xxxi] Thus Bacon became a great thinker, by firstTXTReyn-xxxi; E638| entering into and making himself master of the thoughts of otherTXTReyn-xxxi; E638| men.AnnReyn-xxxi; E638| [This is the Character of a Knave]TXTReyn-xxxiii; E639| [Pp xxxiii-xxxiv, Burke on Reynolds].He.owed hisTXTReyn-xxxiii; E639| first disposition to generalize.to old Mr.Mudge.aTXTReyn-xxxiii; E639| learned and venerable old man.much conversant in theTXTReyn-xxxiii; E639| Platonick Philosophy,.originally a dissenting minister;.TXTReyn-xxxiii; E639|.AnnReyn-xxxiii; E639| Slang VillainyEDAnnReyn-xxxiiiTEXT; E639| [To call generalizing "the Platonick Philosophy" was Slang;EDAnnReyn-xxxiiiTEXT; E639| for a dissenting minister to preach it was Villainy.--D.V.E.]TXTReyn-xxxviii; E639| [P xxxviii footnotes 24 and 25] [On the painters' having obtainedTXTReyn-xxxviii; E639| a royal charter; Reynolds is not named among the eight "principalTXTReyn-xxxviii; E639| artists" active in "this scheme"; William Chambers is creditedTXTReyn-xxxviii; E639| with helpful "access" to the King.]AnnReyn-xxxviii; E639| [Reynolds.thought.but Painters ?attentionAnnReyn-xxxviii; E639| without xxx Reynolds Sir Wm Chambers.?through]EDAnnReyn-xli; E639| [Pp xli-xlv, note 28: Malone scotching rumors that theEDAnnReyn-xli; E639| Discourses were written by Johnson or Burke.]AnnReyn-xli; E639| The Contradictions in Reynolds's Discourses are StrongAnnReyn-xli; E639| Presumptions that they are the Work of Several Hands But thisAnnReyn-xli; E639| is no Proof that Reynolds did not Write them The Man EitherAnnReyn-xli; E639| Painter or Philosopher who Learns or Acquires all he Knows fromAnnReyn-xli; E639| Others.Must be full of ContradictionsTXTReyn-xlvii; E639| [P xlvii, Reynolds' eulogy of George Moser as "the FATHER ofTXTReyn-xlvii; E639| the present race of Artists".]AnnReyn-xlvii; E639| I was once looking over the Prints from Rafael & MichaelAnnReyn-xlvii; E639| Angelo.in the Library of the Royal Academy Moser came to me &AnnReyn-xlvii; E639| said You should not Study these old Hard Stiff & Dry UnfinishdAnnReyn-xlvii; E639| Works of Art, Stay a little & I will shew you what you shouldAnnReyn-xlvii; E639| Study.He then went & took down Le Bruns & Rubens's GalleriesAnnReyn-xlvii; E639| How I did secretly Rage.I also spoke my Mind [line cut away]AnnReyn-xlvii; E639| I said to Moser, These things that you call Finishd are notAnnReyn-xlvii; E639| Even Begun how can they then, be Finishd? The Man who does notAnnReyn-xlvii; E639| know The Beginning, never can know the End of ArtTXTReyn-xlix; E639| [P xlix, Reynolds on his own "merits and defects" ] ITXTReyn-xlix; E639| consoled myself.by remarking that these ready inventors, areTXTReyn-xlix; E639| extremely apt to acquiesce in imperfection;.AnnReyn-xlix; E639| Villainy a LieTXTReyn-l; E639| [P l].Metastasio.complained of the greatTXTReyn-l; E639| difficulty he found in attaining correctness, in consequence ofTXTReyn-l; E639| having been in his youth an IMPROVVISATORE.AnnReyn-l; E639| I do not believe this AnecdoteTXTReyn-liii; E639| [P liii, from Reynolds' 11th Discourse].the generalTXTReyn-liii; E639| effect of the whole.requires the painter's entire mind;TXTReyn-liii; E639| whereas the PARTS may be finishing by nice touches, while hisTXTReyn-liii; E639| mind is engaged on other matters:.indolence.AnnReyn-liii; E639| A Lie Working up Effect is more an operation of IndolenceAnnReyn-liii; E639| than the Making out of the Parts: as far as Greatest is more thanAnnReyn-liii; E639| Least I speak here of Rembrandts & Rubenss & Reynolds'sAnnReyn-liii; E639| Effect.--For Real Effect [ Pobierz całość w formacie PDF ]